How can one call a student a student from whom the teacher should learn? The three parts of the brilliant book "Dramaticon" are the three graces, the three muses, the three goddesses with whom Paris of Troy could have easily become entangled. I won’t single any of them out as the most excellent, nor will I value one more than the others. I will merge all myths, blend all times and covenants, and the golden apple of discord or knowledge. I'll devour it myself for my own pleasure; I won't share it with others, even though many will be present. Many readers, both professionals and amateurs, will savor the work of Rachid Nougmanov, treating it as the fruit of knowledge on cinema, theater, and other arts to access the portal of the real—the realm of true arts—from the paradise of their own non-existence. I am pleased that he has provided them with such a joyful opportunity.